The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 58
... define his per- sonages . It is the task of science to work out definitions . All scientific endeavor lastly consists in the system- atic effort to leave behind the object and to arrive at its definition . Now , a definition is nothing ...
... define his per- sonages . It is the task of science to work out definitions . All scientific endeavor lastly consists in the system- atic effort to leave behind the object and to arrive at its definition . Now , a definition is nothing ...
Pagina 71
... definition could contrive . It is extremely interesting to watch Dostoevski in his cunning ways with the reader . To a perfunctory observation , he seems to define each of his person- ages . When he introduces a figure he nearly always ...
... definition could contrive . It is extremely interesting to watch Dostoevski in his cunning ways with the reader . To a perfunctory observation , he seems to define each of his person- ages . When he introduces a figure he nearly always ...
Pagina 72
... definitions . The first conceptual image we were given of them is followed by another in which we see their immediate life , independent of the author's definition ; and the two do not tally . At this point , the reader , afraid to lose ...
... definitions . The first conceptual image we were given of them is followed by another in which we see their immediate life , independent of the author's definition ; and the two do not tally . At this point , the reader , afraid to lose ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth