The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 89
Pagina 21
... dehumanization . In his escape from the human world the young artist cares less for the " terminus ad quem , " the startling fauna at which he arrives , than for the " terminus a quo , " the human aspect which he destroys . The question ...
... dehumanization . In his escape from the human world the young artist cares less for the " terminus ad quem , " the startling fauna at which he arrives , than for the " terminus a quo , " the human aspect which he destroys . The question ...
Pagina 23
... dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán enthusiast , groping for ...
... dehumanization . And vice versa , there is no other means of stylizing except by dehumanizing . Whereas realism , exhorting the artist faithfully to follow reality , exhorts him to aban- don style . A Zurbarán enthusiast , groping for ...
Pagina
... Dehumanization of Art " and " Notes on the Novel , " were pub- lished as a single book in 1949. To them has been added , for this Anchor edition , three essays that appeared in Partisan Review between 1949 and 1952 : " On Point of View ...
... Dehumanization of Art " and " Notes on the Novel , " were pub- lished as a single book in 1949. To them has been added , for this Anchor edition , three essays that appeared in Partisan Review between 1949 and 1952 : " On Point of View ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth