The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 9
Pagina 18
... directions . Nothing is easier than to stress the differences . But such an emphasis on the distinguishing and specific features would be pointless without a previous account of the common fund that in a varying and sometimes ...
... directions . Nothing is easier than to stress the differences . But such an emphasis on the distinguishing and specific features would be pointless without a previous account of the common fund that in a varying and sometimes ...
Pagina 35
... direction of this process ; if , turning our back on alleged reality , we take the ideas for what they are - mere subjective patterns - and make them live as such , lean and angular , but pure and transparent ; in short , if we ...
... direction of this process ; if , turning our back on alleged reality , we take the ideas for what they are - mere subjective patterns - and make them live as such , lean and angular , but pure and transparent ; in short , if we ...
Pagina 58
... direction of this color . It has been said by Wundt , if I remember right , that the most primitive form of a concept is the pointing gesture of the index finger . An infant still tries to take hold of any object that enters his field ...
... direction of this color . It has been said by Wundt , if I remember right , that the most primitive form of a concept is the pointing gesture of the index finger . An infant still tries to take hold of any object that enters his field ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth