The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 547
... direction finder was set up in rather thickly wooded sections . Trees apparently have little distorting effect . The portable direction finder used in these tests was designed and constructed at the Bureau of Standards . It has several ...
... direction finder was set up in rather thickly wooded sections . Trees apparently have little distorting effect . The portable direction finder used in these tests was designed and constructed at the Bureau of Standards . It has several ...
Pagina xiii
... directions at Zamboanga 424 XV . Annual and semiannual percentages of wind directions at Surigao 425 XVI . Annual and semiannual percentages of wind directions at Cebu 426 XVII . Annual and semiannual percentages of wind directions at ...
... directions at Zamboanga 424 XV . Annual and semiannual percentages of wind directions at Surigao 425 XVI . Annual and semiannual percentages of wind directions at Cebu 426 XVII . Annual and semiannual percentages of wind directions at ...
Pagina 149
... direction . This port is a creek , dependent upon the haven of Beau- maris . About 20 vessels are employed in the ... direction . DINAS DINLLE lies from 3 m . , or from that to 3 m . distance from the black buoy in a s . E. direction ...
... direction . This port is a creek , dependent upon the haven of Beau- maris . About 20 vessels are employed in the ... direction . DINAS DINLLE lies from 3 m . , or from that to 3 m . distance from the black buoy in a s . E. direction ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth