The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 3
... effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote from the aesthetic essence that it does not quite appear how ...
... effects looks very much like putting the cart before the horse , or studying a man by his shadow . The social effects of art seem such an accidental thing , so remote from the aesthetic essence that it does not quite appear how ...
Pagina 42
... effect . In his Principles of Art History ; the Problem of the De- velopment of Style in Later Art ( London : Bell , 1932 ) Heinrich Wölfflin mentions the power of boredom which has ever again mobilized art and compelled it to invent ...
... effect . In his Principles of Art History ; the Problem of the De- velopment of Style in Later Art ( London : Bell , 1932 ) Heinrich Wölfflin mentions the power of boredom which has ever again mobilized art and compelled it to invent ...
Pagina 140
... - 4. The critical question is whether , in effect , being a thief is a form of authentic humanity - that is , if the " born thief " exists in a sense much deeper than Lom- broso's . telechy , and when it departs from it . So 140.
... - 4. The critical question is whether , in effect , being a thief is a form of authentic humanity - that is , if the " born thief " exists in a sense much deeper than Lom- broso's . telechy , and when it departs from it . So 140.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth