The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 27
The new sensibility , it seems to me , is dominated by a distaste for human elements in art very similar to the feelings cultured people have always experienced at Madame Tussaud's , while the mob has always been delighted by that ...
The new sensibility , it seems to me , is dominated by a distaste for human elements in art very similar to the feelings cultured people have always experienced at Madame Tussaud's , while the mob has always been delighted by that ...
Pagina 95
The dose of alien elements a book can bear , lastly , depends on the author's capability of dissolving them in the atmosphere of the novel as such . But this subject obviously belongs to casuistry ...
The dose of alien elements a book can bear , lastly , depends on the author's capability of dissolving them in the atmosphere of the novel as such . But this subject obviously belongs to casuistry ...
Pagina 110
The painter must now see his entire work as immersed in the ample element of light . Thus Ribera , Caravaggio , and the young Velásquez ( The Adoration of the Magi ) . They still seek for corporeality according to accepted practice .
The painter must now see his entire work as immersed in the ample element of light . Thus Ribera , Caravaggio , and the young Velásquez ( The Adoration of the Magi ) . They still seek for corporeality according to accepted practice .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation whole young youth