The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 7
... to do better and to extract from modern art its essential principle . That will unable us to see in what profound sense modern art is unpopular . ARTISTIC ART If the new art is not accessible to The Dehumanization of Art 7.
... to do better and to extract from modern art its essential principle . That will unable us to see in what profound sense modern art is unpopular . ARTISTIC ART If the new art is not accessible to The Dehumanization of Art 7.
Pagina 16
... essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed . Among the diverse aspects of reality we find one from which all the others derive and which they all presuppose : " lived " reality ...
... essential in aesthetics and without which neither old art nor new art can be satisfactorily analyzed . Among the diverse aspects of reality we find one from which all the others derive and which they all presuppose : " lived " reality ...
Pagina 117
... essential . The philosopher , for his part , asks what class of objects is fundamental . A philosophical system is an effort to reconstruct the universe con- ceptually , taking as a point of departure a certain type of fact considered ...
... essential . The philosopher , for his part , asks what class of objects is fundamental . A philosophical system is an effort to reconstruct the universe con- ceptually , taking as a point of departure a certain type of fact considered ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth