The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 14
... event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot help asking ourselves : Which of all these realities must then be ...
... event . It thus becomes clear that one and the same reality may split up into many diverse realities when it is beheld from different points of view . And we cannot help asking ourselves : Which of all these realities must then be ...
Pagina 15
... event . He is involved in it not with his heart but with the professional portion of his self . He too " lives " the scene although with an agitation originating not in the emotional center , but in the professional surface , of his ...
... event . He is involved in it not with his heart but with the professional portion of his self . He too " lives " the scene although with an agitation originating not in the emotional center , but in the professional surface , of his ...
Pagina 16
... event in its entirety . The tragic inner meaning escapes his attention which is directed exclusively toward the visual part - color values , lights , and shadows . In the painter we find a maximum of dis- tance and a minimum of feeling ...
... event in its entirety . The tragic inner meaning escapes his attention which is directed exclusively toward the visual part - color values , lights , and shadows . In the painter we find a maximum of dis- tance and a minimum of feeling ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth