The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 17
Pagina 86
... everything . Any at- tempt to merge the two worlds only leads to their mutual annihilation . The author , we feel ... everything must be what it is and renounce being something else ? There are people who want to be everything . Not ...
... everything . Any at- tempt to merge the two worlds only leads to their mutual annihilation . The author , we feel ... everything must be what it is and renounce being something else ? There are people who want to be everything . Not ...
Pagina 105
... everything in these pictures is in one plane , that is , everything is painted from close - up . The smallest figure , there in the distance , is as complete , spherical and de- tached as the most important . The painter seems to have ...
... everything in these pictures is in one plane , that is , everything is painted from close - up . The smallest figure , there in the distance , is as complete , spherical and de- tached as the most important . The painter seems to have ...
Pagina 156
... every- thing potentially . Herein lies his charm and his insolence . Feeling that he is everything potentially he supposes that he is everything actually . The youth does not need to live on himself : he lives all other lives ...
... every- thing potentially . Herein lies his charm and his insolence . Feeling that he is everything potentially he supposes that he is everything actually . The youth does not need to live on himself : he lives all other lives ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth