The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 84
Perchance a sudden wave of recollection washes us back into the universe of the novel , and with a certain effort , as though struggling through a liquid element , we must regain the shores of our existence proper .
Perchance a sudden wave of recollection washes us back into the universe of the novel , and with a certain effort , as though struggling through a liquid element , we must regain the shores of our existence proper .
Pagina 133
Does he subscribe to it basically ; or , on the contrary , is he a deserter from it , does he fill his existence with substitutes for what would have been his authentic life ? Perhaps the most tragic thing about the human situation is ...
Does he subscribe to it basically ; or , on the contrary , is he a deserter from it , does he fill his existence with substitutes for what would have been his authentic life ? Perhaps the most tragic thing about the human situation is ...
Pagina 134
Give us a Goethe who is shipwrecked in his own existence , who is lost in it and never knows from one minute to the next what will become of him - the Goethe who felt that he was " like a magic oyster over which strange waves pass .
Give us a Goethe who is shipwrecked in his own existence , who is lost in it and never knows from one minute to the next what will become of him - the Goethe who felt that he was " like a magic oyster over which strange waves pass .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation whole young youth