The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 36
... Expressionism , cubism , etc. , are - in varying de- gree - attempts at executing this decision . From painting things , the painter has turned to painting ideas . He shuts his eyes to the outer world and concentrates upon the ...
... Expressionism , cubism , etc. , are - in varying de- gree - attempts at executing this decision . From painting things , the painter has turned to painting ideas . He shuts his eyes to the outer world and concentrates upon the ...
Pagina 116
... expressionism . In the impres- sion , we reached the minimum of exterior objectiv- ity . A new shift in the point of view was possible only if , leaping behind the retina — a tenuous fron- tier between the external and internal ...
... expressionism . In the impres- sion , we reached the minimum of exterior objectiv- ity . A new shift in the point of view was possible only if , leaping behind the retina — a tenuous fron- tier between the external and internal ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth