The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 22
Pagina 16
... would not bother , the readers would not understand the reporter's pathos , and the canvas on which the painter limned , a person on a bed surrounded by mourning figures would be meaningless . The same holds for any object , be 16.
... would not bother , the readers would not understand the reporter's pathos , and the canvas on which the painter limned , a person on a bed surrounded by mourning figures would be meaningless . The same holds for any object , be 16.
Pagina 27
... figures are melodrama at its purest . The new sensibility , it seems to me , is dominated by a distaste for human elements in art very similar to the feelings cultured people have always ex- perienced at Madame Tussaud's , while the mob ...
... figures are melodrama at its purest . The new sensibility , it seems to me , is dominated by a distaste for human elements in art very similar to the feelings cultured people have always ex- perienced at Madame Tussaud's , while the mob ...
Pagina 68
... figures shine with life and color , noblemen and commoners , archbishops and sea captains queens and country lasses , a restless , garrulous , exu- berant , extravagant lot , madly swirling about like infusoria in a drop of water . To ...
... figures shine with life and color , noblemen and commoners , archbishops and sea captains queens and country lasses , a restless , garrulous , exu- berant , extravagant lot , madly swirling about like infusoria in a drop of water . To ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth