The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 35
Pagina 31
... hand , could not be entirely avoided . The animal that was most fre- quent in the region and on which people ... hands . What then does the Indian Lilloeth do so that he can eat ? He squats and folds his hands under his behind ...
... hand , could not be entirely avoided . The animal that was most fre- quent in the region and on which people ... hands . What then does the Indian Lilloeth do so that he can eat ? He squats and folds his hands under his behind ...
Pagina 42
... hand in hand with hatred of science , hatred of State , hatred , in sum , of civiliza- tion as a whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin ...
... hand in hand with hatred of science , hatred of State , hatred , in sum , of civiliza- tion as a whole . Is it conceivable that modern Western man bears a rankling grudge against his own historical essence ? Does he feel something akin ...
Pagina 91
... hand the deep - sea pearl . But precisely for this reason the average reader does not understand him . In the beginnings of the novel the difference be- tween good novels and poor novels was not so great . As nothing had yet been said ...
... hand the deep - sea pearl . But precisely for this reason the average reader does not understand him . In the beginnings of the novel the difference be- tween good novels and poor novels was not so great . As nothing had yet been said ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth