The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 5
Pagina 105
... hollow space . And since the latter is in front of the object , it follows that the journey of the pictorial gaze is a retrogression from the distant - although close by- toward what is contiguous to the eye . According to this , the ...
... hollow space . And since the latter is in front of the object , it follows that the journey of the pictorial gaze is a retrogression from the distant - although close by- toward what is contiguous to the eye . According to this , the ...
Pagina 113
... hollow space . The point of view , transforming itself from the multiple and proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall see that it may retreat even closer to the ...
... hollow space . The point of view , transforming itself from the multiple and proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall see that it may retreat even closer to the ...
Pagina 118
... hollow space that now takes on a magical creative power . For Des- cartes , the real is space , as for Velásquez it is hollow space . After Descartes , the plurality of substance reap- pears for a moment in Leibniz . These substances ...
... hollow space that now takes on a magical creative power . For Des- cartes , the real is space , as for Velásquez it is hollow space . After Descartes , the plurality of substance reap- pears for a moment in Leibniz . These substances ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth