The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 5
Pagina 106
... hollow space- is to take a portion of the picture and see whether , in isolation , it is enough to represent something fully . On a canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is ...
... hollow space- is to take a portion of the picture and see whether , in isolation , it is enough to represent something fully . On a canvas of Velásquez , each section con- tains only vague and monstrous forms . The primitive canvas is ...
Pagina 113
... hollow space . The point of view , transforming itself from the multiple and proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall see that it may retreat even closer to the ...
... hollow space . The point of view , transforming itself from the multiple and proximate to the single and dis- tant , appears to have exhausted its possible itin- erary . Not at all ! We shall see that it may retreat even closer to the ...
Pagina 118
... hollow space that now takes on a magical creative power . For Des- cartes , the real is space , as for Velásquez it is hollow space . After Descartes , the plurality of substance reap- pears for a moment in Leibniz . These substances ...
... hollow space that now takes on a magical creative power . For Des- cartes , the real is space , as for Velásquez it is hollow space . After Descartes , the plurality of substance reap- pears for a moment in Leibniz . These substances ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth