The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 52
Pagina 11
... human , all too human , ele- ments predominant in romantic and naturalistic production . And in this process a point can be reached in which the human content has grown so thin that it is negligible . We then have an art which can be ...
... human , all too human , ele- ments predominant in romantic and naturalistic production . And in this process a point can be reached in which the human content has grown so thin that it is negligible . We then have an art which can be ...
Pagina 20
... human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far from going more or less clumsily toward reality , the artist is seen going against it . He ...
... human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far from going more or less clumsily toward reality , the artist is seen going against it . He ...
Pagina 21
... human , but also be- cause it is an explicit act of dehumanization . In his escape from the human world the young artist cares less for the " terminus ad quem , " the startling fauna at which he arrives , than for the " terminus a quo ...
... human , but also be- cause it is an explicit act of dehumanization . In his escape from the human world the young artist cares less for the " terminus ad quem , " the startling fauna at which he arrives , than for the " terminus a quo ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth