The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 44
Pagina 34
... ideas about them . We possess of reality , strictly speaking , nothing but the ideas we have succeeded in forming about it . These ideas are like a belvedere from which we behold the world . Each new idea , as Goethe put it , is like a ...
... ideas about them . We possess of reality , strictly speaking , nothing but the ideas we have succeeded in forming about it . These ideas are like a belvedere from which we behold the world . Each new idea , as Goethe put it , is like a ...
Pagina 35
... ideas for what they are - mere subjective patterns - and make them live as such , lean and angular , but pure and transparent ; in short , if we deliberately propose to " realize " our ideas - then we have dehumanized and , as it were ...
... ideas for what they are - mere subjective patterns - and make them live as such , lean and angular , but pure and transparent ; in short , if we deliberately propose to " realize " our ideas - then we have dehumanized and , as it were ...
Pagina 36
... ideas or pure patterns . Pirandello's drama is , I dare say , the first " drama of ideas " proper . All the others that bore this name were not dramas of ideas , but dramas among pseudo persons symbolizing ideas . In Pirandello's work ...
... ideas or pure patterns . Pirandello's drama is , I dare say , the first " drama of ideas " proper . All the others that bore this name were not dramas of ideas , but dramas among pseudo persons symbolizing ideas . In Pirandello's work ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth