The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 15
... interest , he carries responsi- bility , perhaps his professional honor is at stake . Hence he too , albeit in a less integral and less inti- mate way , takes part in the event . He is involved in it not with his heart but with the ...
... interest , he carries responsi- bility , perhaps his professional honor is at stake . Hence he too , albeit in a less integral and less inti- mate way , takes part in the event . He is involved in it not with his heart but with the ...
Pagina 79
... interest . Some vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside ...
... interest . Some vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside ...
Pagina 82
... interest- ing by itself , by virtue of its peculiar content , and that any horizon , wide or narrow , brilliant or dull , varied or monotonous , may possess an interest of its own which merely requires a vital adjustment to be ...
... interest- ing by itself , by virtue of its peculiar content , and that any horizon , wide or narrow , brilliant or dull , varied or monotonous , may possess an interest of its own which merely requires a vital adjustment to be ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth