The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 15
... interest , he carries responsi- bility , perhaps his professional honor is at stake . Hence he too , albeit in a less integral and less inti- mate way , takes part in the event . He is involved in it not with his heart but with the ...
... interest , he carries responsi- bility , perhaps his professional honor is at stake . Hence he too , albeit in a less integral and less inti- mate way , takes part in the event . He is involved in it not with his heart but with the ...
Pagina 79
... interest . Some vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside ...
... interest . Some vital interests that are not too narrow and oppressive are required for organizing our contemplation ; they must limit and articulate it by imposing upon it a perspective of attention . With respect to the countryside ...
Pagina 83
... interest him in the inhabitants of this realm . For , however admirable these may be , they cannot hold their own against the beings of flesh and bone who form the reader's daily surroundings and constantly claim his interest . To turn ...
... interest him in the inhabitants of this realm . For , however admirable these may be , they cannot hold their own against the beings of flesh and bone who form the reader's daily surroundings and constantly claim his interest . To turn ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth