The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 12
Pagina 29
... invent what is nonexistent . Herein lies the justification of the poetical profession . The poet aggrandizes the world by adding to reality , which is there by itself , the continents of his imagination . Author derives from auctor , he ...
... invent what is nonexistent . Herein lies the justification of the poetical profession . The poet aggrandizes the world by adding to reality , which is there by itself , the continents of his imagination . Author derives from auctor , he ...
Pagina 42
... invent new forms . And the same applies to literature , only more so . Cicero still said “ latine loqui " for " speaking Latin " ; but in the fifth century Apollinaris Sidonius resorted to “ latialiter insusurrare . " For too many ...
... invent new forms . And the same applies to literature , only more so . Cicero still said “ latine loqui " for " speaking Latin " ; but in the fifth century Apollinaris Sidonius resorted to “ latialiter insusurrare . " For too many ...
Pagina 80
... invent great new plots . As I see it , they need not be upset . A bit of movement and tension will do . But this bit is in- dispensable . Proust has demonstrated the necessity of movement by writing a paralytic novel . THE NOVEL AS ...
... invent great new plots . As I see it , they need not be upset . A bit of movement and tension will do . But this bit is in- dispensable . Proust has demonstrated the necessity of movement by writing a paralytic novel . THE NOVEL AS ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth