The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 46
... light of his work and his profession ; but they interest him precisely be- cause they are of no transcendent importance . For a real understanding of what is happening let us compare the role art is playing today with the role it used ...
... light of his work and his profession ; but they interest him precisely be- cause they are of no transcendent importance . For a real understanding of what is happening let us compare the role art is playing today with the role it used ...
Pagina 66
... light of draw- ing rooms and tomorrow , masked as Moors , may sail into the port of Constantinople . Sudden in- fatuations , as though by witchery , of burning hearts without gravity . That was what attracted our fore- fathers . In a ...
... light of draw- ing rooms and tomorrow , masked as Moors , may sail into the port of Constantinople . Sudden in- fatuations , as though by witchery , of burning hearts without gravity . That was what attracted our fore- fathers . In a ...
Pagina 110
... light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or chiaroscuro ...
... light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or chiaroscuro ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth