The Dehumanization of Art: And Other Writings on Art and Culture |
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Pagina 53
This statistical fact, even if there were no more intrinsic reasons, would suffice to
make us suspect that something is amiss with the literary genre of the novel.
When I hear a friend, particularly if he is a young writer, calmly announce that he
is ...
This statistical fact, even if there were no more intrinsic reasons, would suffice to
make us suspect that something is amiss with the literary genre of the novel.
When I hear a friend, particularly if he is a young writer, calmly announce that he
is ...
Pagina 54
Just as every animal belongs to a species, every literary work belongs to a genre.
(The theory of Benedetto Croce who denies the existence of literary forms in this
sense has left no trace in aesthetics.) A literary genre, the same as a zoological ...
Just as every animal belongs to a species, every literary work belongs to a genre.
(The theory of Benedetto Croce who denies the existence of literary forms in this
sense has left no trace in aesthetics.) A literary genre, the same as a zoological ...
Pagina 74
ACTION AND CONTEMPLATION More than ten years ago I pointed out in my
book Meditaciones del Quijote8 that it is the essential task of the modern novel to
describe an atmosphere while other narrative literary forms— epics, romances of
...
ACTION AND CONTEMPLATION More than ten years ago I pointed out in my
book Meditaciones del Quijote8 that it is the essential task of the modern novel to
describe an atmosphere while other narrative literary forms— epics, romances of
...
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The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama existence expressionism fact feel Finland Station French genre German gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ICONOCLASM ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional Trans truth Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |