The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 10
... look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art . Instead they look right through it and revel in the human reality with which ...
... look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art . Instead they look right through it and revel in the human reality with which ...
Pagina 44
... look at a piece of art that is a joke and that essentially makes fun of itself . For this is what the facetious quality of the modern inspiration comes down to . Instead of deriding other persons or things - without a victim no comedy ...
... look at a piece of art that is a joke and that essentially makes fun of itself . For this is what the facetious quality of the modern inspiration comes down to . Instead of deriding other persons or things - without a victim no comedy ...
Pagina 127
... look before such a court ? It might be suspected that he is the most question- able of the classics , because he is the classic to the second power , the classic who in his turn lived by the classics , the prototype of the spiritual ...
... look before such a court ? It might be suspected that he is the most question- able of the classics , because he is the classic to the second power , the classic who in his turn lived by the classics , the prototype of the spiritual ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth