The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 24
Pagina 10
... look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art . Instead they look right through it and revel in the human reality with which ...
... look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art . Instead they look right through it and revel in the human reality with which ...
Pagina 44
... look at a piece of art that is a joke and that essentially makes fun of itself . For this is what the facetious quality of the modern inspiration comes down to . Instead of deriding other persons or things - without a victim no comedy ...
... look at a piece of art that is a joke and that essentially makes fun of itself . For this is what the facetious quality of the modern inspiration comes down to . Instead of deriding other persons or things - without a victim no comedy ...
Pagina 77
... look and in order to look one must pay attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first without losing sight of the second . Attention is like a ray of ...
... look and in order to look one must pay attention . Attention is a preference subjectively be- stowed upon some things at the cost of others . I cannot focus on the first without losing sight of the second . Attention is like a ray of ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth