The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 10
In the first case we “ live ” with Charles the Fifth , in the second we look at an
object of art . But not many people are capable of adjusting their perceptive
apparatus to the pane and the transparency that is the work of art . Instead they
look right ...
In the first case we “ live ” with Charles the Fifth , in the second we look at an
object of art . But not many people are capable of adjusting their perceptive
apparatus to the pane and the transparency that is the work of art . Instead they
look right ...
Pagina 44
To look for fiction as fiction - which , we have said , modern art does — is a
proposition that cannot be executed except with one ' s tongue in one ' s cheek .
Art is appreciated precisely because it is recognized as a farce . It is this trait
more than ...
To look for fiction as fiction - which , we have said , modern art does — is a
proposition that cannot be executed except with one ' s tongue in one ' s cheek .
Art is appreciated precisely because it is recognized as a farce . It is this trait
more than ...
Pagina 127
How would Goethe look before such a court ? It might be suspected that he is the
most questionable of the classics , because he is the classic to the second power
, the classic who in his turn lived by the classics , the prototype of the spiritual ...
How would Goethe look before such a court ? It might be suspected that he is the
most questionable of the classics , because he is the classic to the second power
, the classic who in his turn lived by the classics , the prototype of the spiritual ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
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