The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 10
In the first case we “ live ” with Charles the Fifth , in the second we look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art .
In the first case we “ live ” with Charles the Fifth , in the second we look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art .
Pagina 44
To look for fiction as fiction - which , we have said , modern art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce .
To look for fiction as fiction - which , we have said , modern art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce .
Pagina 127
How would Goethe look before such a court ? It might be suspected that he is the most questionable of the classics , because he is the classic to the second power , the classic who in his turn lived by the classics , the prototype of ...
How would Goethe look before such a court ? It might be suspected that he is the most questionable of the classics , because he is the classic to the second power , the classic who in his turn lived by the classics , the prototype of ...
Cosa dicono le persone - Scrivi una recensione
Nessuna recensione trovata nei soliti posti.
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation whole young youth