The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 10
In the first case we “ live ” with Charles the Fifth , in the second we look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art .
In the first case we “ live ” with Charles the Fifth , in the second we look at an object of art . But not many people are capable of adjusting their perceptive apparatus to the pane and the transparency that is the work of art .
Pagina 44
To look for fiction as fiction - which , we have said , modern art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce .
To look for fiction as fiction - which , we have said , modern art does - is a proposition that cannot be executed except with one's tongue in one's cheek . Art is appreciated precisely because it is recognized as a farce .
Pagina 127
How would Goethe look before such a court ? It might be suspected that he is the most questionable of the classics , because he is the classic to the second power , the classic who in his turn lived by the classics , the prototype of ...
How would Goethe look before such a court ? It might be suspected that he is the most questionable of the classics , because he is the classic to the second power , the classic who in his turn lived by the classics , the prototype of ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation contrary culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest Italy less light live look man's masses material matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation whole young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor books |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |