The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 5
... masses . Modern art , on the other hand , will always have the masses against it . It is essentially unpopular ; moreover , it is antipopular . Any of its works auto- matically produces a curious effect on the general public . It ...
... masses . Modern art , on the other hand , will always have the masses against it . It is essentially unpopular ; moreover , it is antipopular . Any of its works auto- matically produces a curious effect on the general public . It ...
Pagina 6
... masses and apotheosis of the people . Accustomed to ruling supreme , the masses feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men . Whenever the new Muses present ...
... masses and apotheosis of the people . Accustomed to ruling supreme , the masses feel that the new art , which is the art of a privileged aristocracy of finer senses , endangers their rights as men . Whenever the new Muses present ...
Pagina 11
... masses inasmuch as it is not art but an extract from life . Let us remember that in epochs with two dif- ferent types of art , one for minorities and one for the majority , the latter has always been realistic.3 I will not now discuss ...
... masses inasmuch as it is not art but an extract from life . Let us remember that in epochs with two dif- ferent types of art , one for minorities and one for the majority , the latter has always been realistic.3 I will not now discuss ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth