The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 23
Pagina 21
... matter . That is why he has to drive home the victory by presenting in each case the strangled victim . It may be thought a simple affair to fight shy of reality , but it is by no means easy . There is no difficulty in painting or ...
... matter . That is why he has to drive home the victory by presenting in each case the strangled victim . It may be thought a simple affair to fight shy of reality , but it is by no means easy . There is no difficulty in painting or ...
Pagina 72
... matter of the persons and events he presents as of the way the reader sees himself compelled to deal with these persons and events ? Dostoevski is a " realist " not because he uses the material of life but because he uses the form of ...
... matter of the persons and events he presents as of the way the reader sees himself compelled to deal with these persons and events ? Dostoevski is a " realist " not because he uses the material of life but because he uses the form of ...
Pagina 133
... matter of the greatest interest is not the man's struggle with the world , with his external destiny , but his struggle with his vocation . How does he behave when faced with his inexorable vocation ? Does he subscribe to it basically ...
... matter of the greatest interest is not the man's struggle with the world , with his external destiny , but his struggle with his vocation . How does he behave when faced with his inexorable vocation ? Does he subscribe to it basically ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth