The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 43
Pagina 8
... means a state of mind which is essentially undistinguishable from their ordinary behavior . It differs merely in accidental qualities , being perhaps less utilitarian , more intense , and free from painful consequences . But the object ...
... means a state of mind which is essentially undistinguishable from their ordinary behavior . It differs merely in accidental qualities , being perhaps less utilitarian , more intense , and free from painful consequences . But the object ...
Pagina 14
... means to the painter who looks on impassively that it seems doubtful whether the two can be said to be present at ... means absolute , but at least practical and normative . As for the points of view of the four persons present at ...
... means to the painter who looks on impassively that it seems doubtful whether the two can be said to be present at ... means absolute , but at least practical and normative . As for the points of view of the four persons present at ...
Pagina 34
... means of ideas we see the world , but in a natural attitude of the mind we do not see the ideas - the same as the eye in seeing does not see itself . In other words , thinking is the endeavor to capture reality by means of ideas ; the ...
... means of ideas we see the world , but in a natural attitude of the mind we do not see the ideas - the same as the eye in seeing does not see itself . In other words , thinking is the endeavor to capture reality by means of ideas ; the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth