The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 14
means to the wife who is all grief has so little to do with what it means to the
painter who looks on impassively that it seems doubtful whether the two can be
said to be present at the same event . It thus becomes clear that one and the
same ...
means to the wife who is all grief has so little to do with what it means to the
painter who looks on impassively that it seems doubtful whether the two can be
said to be present at the same event . It thus becomes clear that one and the
same ...
Pagina 34
It obtains in all artistic means and orders , to the point of determining - in the form
of a tendency12 — the physiognomy of all contemporary art . The relation
between our mind and things consists in that we think the things , that we form
ideas ...
It obtains in all artistic means and orders , to the point of determining - in the form
of a tendency12 — the physiognomy of all contemporary art . The relation
between our mind and things consists in that we think the things , that we form
ideas ...
Pagina 106
This means that the point of view in a primitive picture is not single , but as many
points of view as there are objects represented ... Hence the best means of
distinguishing the two tendencies in pictorial artpainting of bulk and painting of
hollow ...
This means that the point of view in a primitive picture is not single , but as many
points of view as there are objects represented ... Hence the best means of
distinguishing the two tendencies in pictorial artpainting of bulk and painting of
hollow ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German gifts give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |