The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 90
... merely define the level at which the novel begins ; they mark the waterline , as it were , of its continent . In the follow- ing we shall be concerned with conditions that de- termine the higher or lower altitude of a work . The stuff ...
... merely define the level at which the novel begins ; they mark the waterline , as it were , of its continent . In the follow- ing we shall be concerned with conditions that de- termine the higher or lower altitude of a work . The stuff ...
Pagina 134
... merely an object , it is merely an appearance for another and not a reality for itself . Life cannot be a mere object , because it consists precisely in its ex- ecution , in being actually lived , and hence being never concluded , never ...
... merely an object , it is merely an appearance for another and not a reality for itself . Life cannot be a mere object , because it consists precisely in its ex- ecution , in being actually lived , and hence being never concluded , never ...
Pagina 139
... merely a concept by which man tries to justify his existence ) , with the abstract meaning of the species . This dichotomy , this state of confusion , into which he is driven by tradition , is the cause of his " perennial vacillation ...
... merely a concept by which man tries to justify his existence ) , with the abstract meaning of the species . This dichotomy , this state of confusion , into which he is driven by tradition , is the cause of his " perennial vacillation ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth