The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 36
Pagina 29
... merely looking at them is de- light . Among such creatures , what business has the poor face of the man who ... mere acoustic carrier of the verse , is the voice of the poet who has learned to extricate himself from the surrounding man ...
... merely looking at them is de- light . Among such creatures , what business has the poor face of the man who ... mere acoustic carrier of the verse , is the voice of the poet who has learned to extricate himself from the surrounding man ...
Pagina 57
... mere allusion seems to me decisive in all art but very specially in the novel . The subject of Le rouge et le noir ... merely allude to this fact while Stendhal pre- sents it in its immediate and patent reality . Now , an examination ...
... mere allusion seems to me decisive in all art but very specially in the novel . The subject of Le rouge et le noir ... merely allude to this fact while Stendhal pre- sents it in its immediate and patent reality . Now , an examination ...
Pagina 134
José Ortega y Gasset. outside , making it a mere object . When something is merely an object , it is merely an appearance for another and not a reality for itself . Life cannot be a mere object , because it consists precisely in its ex ...
José Ortega y Gasset. outside , making it a mere object . When something is merely an object , it is merely an appearance for another and not a reality for itself . Life cannot be a mere object , because it consists precisely in its ex ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth