The Dehumanization of Art, and Other Writings on Art and Culture |
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Pagina 34
The relation between our mind and things consists in that we think the things ,
that we form ideas about them . We possess of reality , strictly speaking , nothing
but the ideas we have succeeded in forming about it . These ideas are like a ...
The relation between our mind and things consists in that we think the things ,
that we form ideas about them . We possess of reality , strictly speaking , nothing
but the ideas we have succeeded in forming about it . These ideas are like a ...
Pagina 35
In this way we do not move from the mind to the world . On the contrary , we give
three - dimensional being to mere patterns , we objectify the subjective , we “
worldify ' the immanent . A traditional painter painting a portrait claims to have got
...
In this way we do not move from the mind to the world . On the contrary , we give
three - dimensional being to mere patterns , we objectify the subjective , we “
worldify ' the immanent . A traditional painter painting a portrait claims to have got
...
Pagina 47
Whereas cult of the mind betrays the resolve to accept old age , for the mind
reaches plenitude only when the body begins to decline . The triumph of sport
marks the victory of the values of youth over the values of age . Note in this
context the ...
Whereas cult of the mind betrays the resolve to accept old age , for the mind
reaches plenitude only when the body begins to decline . The triumph of sport
marks the victory of the values of youth over the values of age . Note in this
context the ...
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German gifts give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth