The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 34
... mind we do not see the ideas - the same as the eye in seeing does not see itself . In other words , thinking is the endeavor to capture reality by means of ideas ; the spontaneous movement of the mind goes from concepts to the world ...
... mind we do not see the ideas - the same as the eye in seeing does not see itself . In other words , thinking is the endeavor to capture reality by means of ideas ; the spontaneous movement of the mind goes from concepts to the world ...
Pagina 35
... mind , from the innumerable traits that make a liv- ing person . What if the painter changed his mind and decided to paint not the real person but his own idea , his pattern , of the person ? Indeed , in that case the portrait would be ...
... mind , from the innumerable traits that make a liv- ing person . What if the painter changed his mind and decided to paint not the real person but his own idea , his pattern , of the person ? Indeed , in that case the portrait would be ...
Pagina 92
... mind through research or through spontaneous experi- ence is to no small degree responsible for the pres- ent failure of the novel . Authors that yesterday seemed excellent appear naïve today because the present reader is a much better ...
... mind through research or through spontaneous experi- ence is to no small degree responsible for the pres- ent failure of the novel . Authors that yesterday seemed excellent appear naïve today because the present reader is a much better ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth