The Dehumanization of Art: And Other Writings on Art and Culture |
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Pagina 34
The relation between our mind and things consists in that we think the things, that
we form ideas about them. We possess of reality, strictly speaking, nothing but
the ideas we have succeeded in forming about it. These ideas are like a ...
The relation between our mind and things consists in that we think the things, that
we form ideas about them. We possess of reality, strictly speaking, nothing but
the ideas we have succeeded in forming about it. These ideas are like a ...
Pagina 35
In this way we do not move from the mind to the world. On the contrary, we give
three-dimensional being to mere patterns, we objectify the subjective, we "
worldify" the immanent. A traditional painter painting a portrait claims to have got
hold of ...
In this way we do not move from the mind to the world. On the contrary, we give
three-dimensional being to mere patterns, we objectify the subjective, we "
worldify" the immanent. A traditional painter painting a portrait claims to have got
hold of ...
Pagina 47
Whereas cult of the mind betrays the resolve to accept old age, for the mind
reaches plenitude only when the body begins to decline. The triumph of sport
marks the victory of the values of youth over the values of age. Note in this
context the ...
Whereas cult of the mind betrays the resolve to accept old age, for the mind
reaches plenitude only when the body begins to decline. The triumph of sport
marks the victory of the values of youth over the values of age. Note in this
context the ...
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The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
 | The Dehumanization of Art: And Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama existence expressionism fact feel Finland Station French genre German gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ICONOCLASM ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional Trans truth Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |