The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 26
Pagina 7
... move among men so obviously reveals the opposite that each move results in a painful clash . If this subject were broached in politics the pas- sions aroused would run too high to make oneself understood . Fortunately the aforementioned ...
... move among men so obviously reveals the opposite that each move results in a painful clash . If this subject were broached in politics the pas- sions aroused would run too high to make oneself understood . Fortunately the aforementioned ...
Pagina 74
José Ortega y Gasset. extreme . So slowly does the action move that it seems more like a sequence of ecstatic ... moves 74.
José Ortega y Gasset. extreme . So slowly does the action move that it seems more like a sequence of ecstatic ... moves 74.
Pagina 79
... move our heart . It is evident that man's destiny is not primarily contemplative ; hence the best condition for con ... moved by the dynamism of an interest , does our perceiving and absorbing power reach a maximum . If this were not so ...
... move our heart . It is evident that man's destiny is not primarily contemplative ; hence the best condition for con ... moved by the dynamism of an interest , does our perceiving and absorbing power reach a maximum . If this were not so ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth