The Dehumanization of Art, and Other Writings on Art and Culture |
Dall'interno del libro
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Pagina 7
Each move among men so obviously reveals the opposite that each move results
in a painful clash . If this subject were broached in politics the passions aroused
would run too high to make oneself understood . Fortunately the aforementioned
...
Each move among men so obviously reveals the opposite that each move results
in a painful clash . If this subject were broached in politics the passions aroused
would run too high to make oneself understood . Fortunately the aforementioned
...
Pagina 35
In this way we do not move from the mind to the world . On the contrary , we give
three - dimensional being to mere patterns , we objectify the subjective , we “
worldify ' the immanent . A traditional painter painting a portrait claims to have got
...
In this way we do not move from the mind to the world . On the contrary , we give
three - dimensional being to mere patterns , we objectify the subjective , we “
worldify ' the immanent . A traditional painter painting a portrait claims to have got
...
Pagina 74
So slowly does the action move that it seems more like a sequence of ecstatic
stillnesses without progress or tension . Reading this “ remembrance of things
past ” we feel convinced that the permissible measure of slowness is
overstepped .
So slowly does the action move that it seems more like a sequence of ecstatic
stillnesses without progress or tension . Reading this “ remembrance of things
past ” we feel convinced that the permissible measure of slowness is
overstepped .
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The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition destiny direction distance drama effect elements essential everything existence fact feel figures follow French German gifts give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation remains seems sense soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art, and Other Writings on Art and Culture Anchor books Volume 72 di Doubleday anchor book |
| Autore | José Ortega y Gasset |
| tradotto da | Willard Ropes Trask |
| Editore | Doubleday, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |