The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 11
Pagina 20
José Ortega y Gasset. the painter is bungling and fails to render the natural ( natural = human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far ...
José Ortega y Gasset. the painter is bungling and fails to render the natural ( natural = human ) thing because he devi- ates from it , but that these deviations point in a direction opposite to that which would lead to real- ity . Far ...
Pagina 32
... natural things and wounds or murders them . SURREALISM AND INFRAREALISM But the metaphor , though the most radical in- strument of dehumanization , is certainly not the only one . There are many of varying scope . The simplest may be ...
... natural things and wounds or murders them . SURREALISM AND INFRAREALISM But the metaphor , though the most radical in- strument of dehumanization , is certainly not the only one . There are many of varying scope . The simplest may be ...
Pagina 171
... natural and ultra - biological of phenomena . It took man thousands upon thousands of years to educate his capacity of concentration a little - only a little . What is natural to him is to disperse himself , to divert his thought ...
... natural and ultra - biological of phenomena . It took man thousands upon thousands of years to educate his capacity of concentration a little - only a little . What is natural to him is to disperse himself , to divert his thought ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth