The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 30
Pagina 90
... never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is not a lithe , agile ...
... never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is not a lithe , agile ...
Pagina 134
... never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality itself its point of view . We are a little tired of the statue of Goethe . Penetrate ...
... never concluded , never definitive . It does not allow itself to be contemplated from without : the eye must transport itself there and make reality itself its point of view . We are a little tired of the statue of Goethe . Penetrate ...
Pagina 174
... never be sure that he is , in fact , a man , as the tiger is sure of being a tiger and the fish of being a fish . Far from thought having been bestowed upon man , the truth is - a truth which I cannot now properly argue but can only ...
... never be sure that he is , in fact , a man , as the tiger is sure of being a tiger and the fish of being a fish . Far from thought having been bestowed upon man , the truth is - a truth which I cannot now properly argue but can only ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth