The Dehumanization of Art: And Other Writings on Art and Culture |
Dall'interno del libro
Risultati 1-3 di 47
Pagina 55
This, I believe, is now happening to the novel. It has become practically
impossible to find new subjects. Here we come upon the first cause of the
enormous difficulty, an objective not a personal difficulty, of writing an acceptable
novel at this ...
This, I believe, is now happening to the novel. It has become practically
impossible to find new subjects. Here we come upon the first cause of the
enormous difficulty, an objective not a personal difficulty, of writing an acceptable
novel at this ...
Pagina 57
This difference between self-presence and mere allusion seems to me decisive
in all art but very specially in the novel. The subject of Le rouge et le noir could be
told in a few dozen words. What is the difference between such a report and the ...
This difference between self-presence and mere allusion seems to me decisive
in all art but very specially in the novel. The subject of Le rouge et le noir could be
told in a few dozen words. What is the difference between such a report and the ...
Pagina 95
People in a novel need not be like real ones, it is enough that they are possible.
And this psychology of possible human minds, which I have called imaginary
psychology, is the only one that matters to the novel. That a novel may, apart from
...
People in a novel need not be like real ones, it is enough that they are possible.
And this psychology of possible human minds, which I have called imaginary
psychology, is the only one that matters to the novel. That a novel may, apart from
...
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The dehumanization of art, and other writings on art and culture José Ortega y Gasset Visualizzazione frammento - 1956 |
Parole e frasi comuni
abstract action adventures aesthetic animal appear artist authentic become begins body called canvas casuistry century cerning character chiaroscuro classical contemplation cubism culture definition dehumanization derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama existence expressionism fact feel Finland Station French genre German gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ICONOCLASM ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object opposite ourselves painter painting partisan review person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas seems sense sensibility shipwrecked soul Stendhal style substance things thought Tintoretto tion traditional Trans truth Velasquez vital vocation Weimar words young youth
Informazioni bibliografiche
| Titolo | The Dehumanization of Art: And Other Writings on Art and Culture Doubleday anchor book, A72 |
| Autore | José Ortega y Gasset |
| Editore | Doubleday a Company, 1956 |
| Provenienza dell'originale | la University of Michigan |
| Digitalizzato | 5 nov 2007 |
| Lunghezza | 187 pagine |
| Esporta citazione | BiBTeX EndNote RefMan |