The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina 59
... novelist . What is required , I should think , is exactly the opposite : that he furnish the visible facts so that I obligingly discover and define John to be peevish . A novelist must proceed in the same way as the impressionistic ...
... novelist . What is required , I should think , is exactly the opposite : that he furnish the visible facts so that I obligingly discover and define John to be peevish . A novelist must proceed in the same way as the impressionistic ...
Pagina 89
... novelist finds himself compelled to cover the real world with his imagi- nary world . If we are not to see a thing , if a thing is to be concealed , we must be shown other things that conceal it . But shades are known to cast no shadow ...
... novelist finds himself compelled to cover the real world with his imagi- nary world . If we are not to see a thing , if a thing is to be concealed , we must be shown other things that conceal it . But shades are known to cast no shadow ...
Pagina 90
... novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is not a ...
... novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is not a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth