The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 59
... novelist . What is required , I should think , is exactly the opposite : that he furnish the visible facts so that I obligingly discover and define John to be peevish . A novelist must proceed in the same way as the impressionistic ...
... novelist . What is required , I should think , is exactly the opposite : that he furnish the visible facts so that I obligingly discover and define John to be peevish . A novelist must proceed in the same way as the impressionistic ...
Pagina 89
... novelist finds himself compelled to cover the real world with his imagi- nary world . If we are not to see a thing , if a thing is to be concealed , we must be shown other things that conceal it . But shades are known to cast no shadow ...
... novelist finds himself compelled to cover the real world with his imagi- nary world . If we are not to see a thing , if a thing is to be concealed , we must be shown other things that conceal it . But shades are known to cast no shadow ...
Pagina 90
... novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is not a ...
... novelist should never attack a subject unless he knows it thoroughly . He must produce ex abundantia . Where he finds himself moving in shallow waters he will never make good . Things must be accepted as they are . The novel is not a ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth