The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 103
... objects solid enough to offer re- sistance to their hands . The rest is more or less illusion . So in passing from proximate to distant vision an object becomes illusory . When the distance is great , there on the confines of a remote ...
... objects solid enough to offer re- sistance to their hands . The rest is more or less illusion . So in passing from proximate to distant vision an object becomes illusory . When the distance is great , there on the confines of a remote ...
Pagina 105
José Ortega y Gasset. of the object and the eye , that is , the hollow space . And since the latter is in front of the object , it follows that the journey of the pictorial gaze is a retrogression from the distant - although close by ...
José Ortega y Gasset. of the object and the eye , that is , the hollow space . And since the latter is in front of the object , it follows that the journey of the pictorial gaze is a retrogression from the distant - although close by ...
Pagina 110
... object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or ...
... object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth