The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 40
Pagina 103
... objects solid enough to offer re- sistance to their hands . The rest is more or less illusion . So in passing from proximate to distant vision an object becomes illusory . When the distance is great , there on the confines of a remote ...
... objects solid enough to offer re- sistance to their hands . The rest is more or less illusion . So in passing from proximate to distant vision an object becomes illusory . When the distance is great , there on the confines of a remote ...
Pagina 105
José Ortega y Gasset. of the object and the eye , that is , the hollow space . And since the latter is in front of the object , it follows that the journey of the pictorial gaze is a retrogression from the distant - although close by ...
José Ortega y Gasset. of the object and the eye , that is , the hollow space . And since the latter is in front of the object , it follows that the journey of the pictorial gaze is a retrogression from the distant - although close by ...
Pagina 110
... object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or ...
... object is light . It is everywhere single and unique through- out the composition . Here is a principle of unity that is not abstract but real , a thing among other things , not an idea or schema . The unity of illu- mination or ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth