The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 62
... observe that his attention is turned to the personages themselves , not to their adventures . We are fascinated by Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is ...
... observe that his attention is turned to the personages themselves , not to their adventures . We are fascinated by Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is ...
Pagina 164
... observe that the possibility of meditation is in truth the essential attribute of man than at the zoo , before the cages of our cous- ins the monkeys . The bird and the crustacean are forms of life too remote from our own for us to see ...
... observe that the possibility of meditation is in truth the essential attribute of man than at the zoo , before the cages of our cous- ins the monkeys . The bird and the crustacean are forms of life too remote from our own for us to see ...
Pagina 167
... Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ability to ignore the world for a greater or less time without fatal risk ...
... Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ability to ignore the world for a greater or less time without fatal risk ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth