The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 13
Pagina 62
... observe that his attention is turned to the personages themselves , not to their adventures . We are fascinated by Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is ...
... observe that his attention is turned to the personages themselves , not to their adventures . We are fascinated by Don Quixote and Sancho , not by what is happening to them . In principle , a Don Quixote as great as the original is ...
Pagina 164
... observe that the possibility of meditation is in truth the essential attribute of man than at the zoo , before the cages of our cous- ins the monkeys . The bird and the crustacean are forms of life too remote from our own for us to see ...
... observe that the possibility of meditation is in truth the essential attribute of man than at the zoo , before the cages of our cous- ins the monkeys . The bird and the crustacean are forms of life too remote from our own for us to see ...
Pagina 167
... Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ability to ignore the world for a greater or less time without fatal risk ...
... Observe that this marvelous faculty which man possesses of temporarily freeing himself from his slavery to things implies two very different powers : one , his ability to ignore the world for a greater or less time without fatal risk ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth