The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 15
Pagina 16
... ourselves and reality . In this scale , the degree of closeness is equivalent to the degree of feeling participation ; the degree of remoteness , on the other hand , marks the degree to which we have freed ourselves from the real event ...
... ourselves and reality . In this scale , the degree of closeness is equivalent to the degree of feeling participation ; the degree of remoteness , on the other hand , marks the degree to which we have freed ourselves from the real event ...
Pagina 173
... ourselves in radical opposi- tion to the entire philosophical tradition and make up our minds to deny that thought , in any sufficing sense of the word , was given to man once and for all , so that without further ado he finds it at his ...
... ourselves in radical opposi- tion to the entire philosophical tradition and make up our minds to deny that thought , in any sufficing sense of the word , was given to man once and for all , so that without further ado he finds it at his ...
Pagina 185
... ourselves many a time in our more ordinary life when our surround- ings press upon us , when we feel lost in a whirlpool of problems : Quietly now ! What meaning has this command ? Simply that of inviting us to suspend for a moment the ...
... ourselves many a time in our more ordinary life when our surround- ings press upon us , when we feel lost in a whirlpool of problems : Quietly now ! What meaning has this command ? Simply that of inviting us to suspend for a moment the ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth