The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
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Pagina
... reviews , the most prominent of which was La Revista de Occidente , and made sev- eral lecture tours of South America . Although he sup- ported ... Partisan Review in 1949 and 1952 . JOSE ORTEGA y GASSET THE DEHUMANIZATION OF ART AND OTHER.
... reviews , the most prominent of which was La Revista de Occidente , and made sev- eral lecture tours of South America . Although he sup- ported ... Partisan Review in 1949 and 1952 . JOSE ORTEGA y GASSET THE DEHUMANIZATION OF ART AND OTHER.
Pagina 99
... PARTISAN REVIEW . Re- printed , 1956 , by permission of PARTISAN REVIEW . mind's eye - quickly from one to the other .
... PARTISAN REVIEW . Re- printed , 1956 , by permission of PARTISAN REVIEW . mind's eye - quickly from one to the other .
Pagina
... Partisan Review between 1949 and 1952 : " On Point of View in the Arts , " " In Search of Goethe from Within , " and " The Self and the Other . " Together the five essays give a comprehensive picture , of Ortega's views on the present ...
... Partisan Review between 1949 and 1952 : " On Point of View in the Arts , " " In Search of Goethe from Within , " and " The Self and the Other . " Together the five essays give a comprehensive picture , of Ortega's views on the present ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth