The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 20
Pagina 8
... perhaps less utilitarian , more intense , and free from painful consequences . But the object to- wards which their attention and , consequently , all their other mental activities are directed is the same as in daily life : people and ...
... perhaps less utilitarian , more intense , and free from painful consequences . But the object to- wards which their attention and , consequently , all their other mental activities are directed is the same as in daily life : people and ...
Pagina 91
... perhaps than were ever garnered in previous harvests . As a routine produc- tion , as an exploitable mine , the novel may be finished . The large veins , accessible to any diligent hand , are worked out . What remains are hidden ...
... perhaps than were ever garnered in previous harvests . As a routine produc- tion , as an exploitable mine , the novel may be finished . The large veins , accessible to any diligent hand , are worked out . What remains are hidden ...
Pagina 138
... perhaps the best word to designate that vital design , that inexorable plan , in which our real I exists . Each one of us is " he whom he has to become , " although perhaps he never suc- ceeds in becoming anything . Can this be ...
... perhaps the best word to designate that vital design , that inexorable plan , in which our real I exists . Each one of us is " he whom he has to become , " although perhaps he never suc- ceeds in becoming anything . Can this be ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth