The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 8
... personages so move his heart that he participates in it all as though it were happening in real life . And he calls a work " good " if it succeeds in creating the illusion necessary to make the imaginary personages appear like living ...
... personages so move his heart that he participates in it all as though it were happening in real life . And he calls a work " good " if it succeeds in creating the illusion necessary to make the imaginary personages appear like living ...
Pagina 36
... personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as such— that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first ...
... personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as such— that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first ...
Pagina 61
... personages , their being , and their environment till we have had our fill and feel that they are close friends whom we know thoroughly in all the wealth of their lives . That is what makes of the novel an essentially slow - moving ...
... personages , their being , and their environment till we have had our fill and feel that they are close friends whom we know thoroughly in all the wealth of their lives . That is what makes of the novel an essentially slow - moving ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action actual aesthetic animal appear artist attention authentic become begins believe body called cause century character classical clear consists contemplation culture definition DEHUMANIZATION destiny direction distance drama effect elements essential everything existence fact feel figures follow French German give Goethe hand happening Hence History horizon human ideas important individual inner interest invent Italy less light live look man's masses matter means merely mind move natural never novel novelist object observe opposite ourselves painter painting past perhaps person personages philosophy picture Poetry point of view possess possible precisely present problems produce pure reader reality realize reason relation seems sense sensibility soul space Spanish speak stand style things thought tion traditional Trans truth turn understand universe vision vital vocation young youth