The Dehumanization of Art, and Other Writings on Art and CultureDoubleday, 1956 - 187 pagine |
Dall'interno del libro
Risultati 1-3 di 18
Pagina 36
... personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as such— that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first ...
... personages for persons and their gestures for the indications of a " human " drama . Whereas here our interest is aroused by some personages as such— that is , as ideas or pure patterns . Pirandello's drama is , I dare say , the first ...
Pagina 57
... personages as their self - presence . We enjoy seeing those people before us and being admitted to their inner life , understanding them , and living im- mersed in their world or atmosphere . From being narrative and indirect the novel ...
... personages as their self - presence . We enjoy seeing those people before us and being admitted to their inner life , understanding them , and living im- mersed in their world or atmosphere . From being narrative and indirect the novel ...
Pagina 61
... personages , their being , and their environment till we have had our fill and feel that they are close friends whom we know thoroughly in all the wealth of their lives . That is what makes of the novel an essentially slow - moving ...
... personages , their being , and their environment till we have had our fill and feel that they are close friends whom we know thoroughly in all the wealth of their lives . That is what makes of the novel an essentially slow - moving ...
Altre edizioni - Visualizza tutto
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
The Dehumanization of Art, and Other Writings on Art and Culture José Ortega y Gasset Visualizzazione estratti - 1956 |
Parole e frasi comuni
action adventures aesthetic animal appear artist authentic become begins body called canvas century character chiaroscuro classical contemplation cubism culture Dante Alighieri definition DEHUMANIZATION derealized Descartes destiny distance distant vision Divine Comedy Don Quixote Dostoevski drama El Espectador El Greco everything existence fact feel French genre German Giambattista Vico gifts Giotto Goethe Goethe's hand Hence History hollow space horizon human ical ideas imaginary inner interest less light literary live look magic man's masses means metaphor mind modern art never novel novelist object Omar Khayyám opposite ourselves painter painting PARTISAN REVIEW person personages philosophy picture pleasure poet Poetry point of view possess possible precisely present primitive psychology pure reader reality realize Romanticism Savoy Operas sensibility soul style substance things thought Tintoretto tion traditional Trans truth Velásquez vital vocation Weimar words young youth